Katrín Inga Jónsdóttir Hjördísardóttir (b. 1982) is a universal artist living and working on planet Earth. Her subjects often include the social- and political-scape with focus on the art world phenomenon, which she funnels into her practice in unusual and personal ways. Through various methods and mediums, including writing, performance, drawing and sculpture, she addresses, challenges and becomes the subject of her artwork. Jónsdóttir Hjördísardóttir has built up a remarkable resume of exhibitions and performance projects, working in several countries. While often focusing on women and gender issues, she presents a wider critical discussion that involves art history and theory. Her exhibitions and performances are at once serious and wryly humorous. Jónsdóttir Hjördísardóttir has presented solo projects and performances, most notably at Living Art Museum, Reykjavik (2013) and her work and performances have been presented in group exhibitions at platforms including High Line Art, New York, USA (2017); Kunstmuseum Licthenstein, Vadaus, Licthenstein, (2015); and XVII Biennial of Young Artists, MEDITERRANEA17, Milan, Italy (2015). She is the recipient of awards including a Fulbright Scholarship (2012); the Dungal Art Fund award (2012); the Gudmunda Andresdottir Scholarship (2013); the Icelandic Art Salary from the government of Iceland, Iceland (2015/2017); and the Svavar Guðnasson & Ástu Eirkiskdóttir foundation art price for the promotion of young Icelandic artists (2017). Jónsdóttir Hjördísardóttir graduated with a MFA from the School of Visual Arts, New York (2014); a BA degree in Art History and Art Theory from the University of Iceland (2012); and a BA in Fine Art from the Iceland Academy of the Arts (2008).

https://www.facebook.com/KatrinIngaJonsdottirHjordisardottir/

“It is all my Fault” (2013) exhibited at High Line Art, New York 2017

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is a contemporary artist based in Reykjavík. She studied Fine Arts at Iceland University of the Arts and History at the University of Iceland. She has produced works in various media, including text, performance, and film photography, she is most known for her video art installations.

For her subject matter, she explores different societies and relationships between humans and nature. In her practice, she uses old artifacts and archival work, collects historical accounts, writes fictional and non-fictional stories, and makes use of her autobiographical text and field recordings. She is interested in different technologies, and for each piece of work, she develops methods to manipulate different sound and video images.

María has exhibited her work in different places. She held a solo show at Reykjavík Art Museum (2018), performed at Cycle Music and Art Festival (2018). She exhibited her work at the 5th Moscow Biennale for young art (2016). In summer 2020, she participates in a group exhibition at Tallinn Art Hall.

https://www.mariadalberg.com

Visual artist and experimental filmmaker from Iceland. Her films and videos navigate between ethnography and abstract formalism, exploring preternatural states where oral-mythology and landscape collide. Thorbjorg’s most recent film A tree is like a man / En la maloca de Don William (2019) was one of the winners of FOGO Island Art Film Weekend in 2019. It premiered at CPH:DOX where it competed in the NEXT:WAVE section and has since toured the festival circuit.

http://www.thorbjorgjonsdottir.com